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ARP Odyssey |
Powerful, compact version of the
incredible ARP 2600. A 2-oscillator
duophonic analog synth that became
the most popular ARP synth ever.
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Chroma Polaris |
The
second synth made by Fender-Rhodes
after they took over ARP. Six voice
polyphonic with a nicely designed
front panel. MIDI capable. |
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Elka Synthex |
The
Synthex is a very smooth sounding
8-voice analog synthesizer. Later
versions featured a simple MIDI
implementation. Two oscillators per
note, separate envelope generators,
chorus and even a sequencer. |
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EML ElectroComp 101 |
The
EML-101 was a patchable
quasi-modular synth. Monophonic
which offered four variable-waveform
oscillators. Extremely popular to
this day because of its versatility. |
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Kawai K3 |
Digital wavetable synth with real
analog filters and envelopes. Early
1980s membrane keypad-from-hell
programming interface. Interesting
hybrid sound. |
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Korg MS-20 |
One
of Korg's first portable synths.
Dual oscillator monosynth with
patchable hard-wired panel. Includes
a pitch-to-CV converter. A great
collector's item. |
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Moog MemoryMoog |
Moog's last synth. Featured six
huge-sounding 3-oscillator voices,
programmable memory. The MemoryMoog+
model could be upgraded with MIDI.
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Moog MiniMoog |
The
small monster that started the synth
revolution. A deceptively simple but
powerful monosynth with three huge
oscillators. Many are still alive
today, upgraded with MIDI.
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Oberheim Matrix 12 |
Incredibly flexible design. In the
mid-1980s, this was one of the
synths to own. Amazingly thick pads,
drones, and textures. Complex Front
panel diagrams make it look like a
NASA spaceship. |
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Oberheim OB-1 |
The
world's first programmable monosynth,
with eight(!) programmable memories.
Versatile sound based on the same
architecture as the Oberheim SEM. |
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Oberheim SEM |
Oberheim's first synthesizer. One of
the world's first expander modules,
designed to be used to thicken the
sound of another synth or for use
with an analog sequencer. |
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Oberheim Xpander |
A
six-voice version of the Matrix 12
in a desktop keyboardless case.
Beautiful vacuum fluorescent
display, insanely complex signal
routings are possible. |
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Roland Juno 106 |
Incredibly popular synth with great
sound and a straightforward user
interface. Basically the same as the
Juno 60, but with MIDI. Only one
digital oscillator per voice, but
built-in chorus. |
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Roland Jupiter 8 |
Roland's first home-run synthesizer.
Eight voice poly, with two
oscillators per voice. A classic
early 80s rainbow color scheme on
the front panel, but surprisingly
easy to navigate. |
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Roland MC 202 |
Miniature analog synth/sequencer. A
simple SH-101 style analog synth and
2-channel sequencer with an
incredibly arcane programming
interface. Few could figure it out,
so most of the sequences it's most
famous for were happy mistakes. |
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Roland MKS-80 |
Imagine the power of the Jupiter 8
in a rack-mount module. Fantastic
editing capabilities, but a bit
constrained by the keypad
programming interface. Full MIDI. |
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Roland SH-7 |
Two
oscillator old-school synthesizer.
Synchable oscillators, and an audio
mixer that's ideal for creating
strange techno squawks and bleeps. |
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Roland TB 303 |
An
icon. Incredibly simple analog
monosynth combined with a decidedly
strange pattern sequencer. This
little beast became the defining
sound of house, hard-core techno,
and acid. |
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Sequential Circuits Prophet 5 |
The
world's first programmable
polyphonic synth. Five voices (hence
the name) with a familiar dual
oscillator configuration. These
originally sold for $4500 and were
used by almost everyone in the early
80s. |
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Sequential Circuits Prophet 600 |
The
world's first MIDI synth. Easy to
navigate front panel, great sound,
and built-in arpeggiator and
sequencer make this a great buy, if
you can find one. |
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Sequential Circuits Six-Trak |
Sequential's entry-level synth. Six
voices, each with a single
oscillator. Byzantine programming
keypad makes programming a
challenge, but it has full MIDI
capability. |
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Waldorf Microwave |
The
little brother of the classic PPG
Wave synths. The Microwave combined
sweepable wavetables with smooth
analog filters to produce a
desirable hybrid with crystal-clear
sound. |
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Yamaha CS-5 |
Deceptively simple single-oscillator
analog monosynth. Great for whipping
up frenzied baselines. No
programmable memories, no MIDI, just
a bit of knob-twiddling heaven. |
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Yamaha CS-50 |
A
scaled down version of the CS-80.
Its bizarre design looks like a
1960s organ mated with a modern
polysynth. Four voice polyphony with
a single oscillator per voice.
Featured 13 onboard presets, but no
programmable memory. |
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now
for only $29
All
prices in US dollars.
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